My niece, Blanche Sam (Athabascan/Iñupiaq) of Hughes, has really come into her own in the past couple of years with her beadwork, and I hadto interview her. I love her colorful earrings and creativity with using materials, like dentalium shells and hide. Enaa baasee’ Blanche for agreeing to share your beading journey on the Athabascan Woman Blog!
Blanche’s parents are Lester and Ella Sam of Hughes. Her paternal grandparents were the late Frank Sam, Elma (Nictune) Sam and biological (Blanche Henry); and maternal grandparents are the late Arthur Ambrose and Alice (Simon) Ambrose. Blanche now lives in Fairbanks with her own family, including Zeb Cadzow, and children Dakota and Harper Cadzow. She earned an associate degree in accounting from at the University of Alaska Fairbanks and currently works for her village corporation, K’oyitl’ots’ina, Limited.
“My mom and grandmothers did it and were so good at it and it is a big part of our culture as Alaska Natives.” – Blanche Sam (Koyukon Athabascan/Iñupiaq)
Blanche learned to bead in elementary school from her grandmothers and aunt. Some of her first memories of beading and sewing were in school. Blanche remembers her grandmothers and aunt receiving a grant to get furs, hide, beads and other supplies. She learned to sew calf skin boots with help from her grandmothers, Alice and Rita. Her aunt, Hazel, was the first one to teach her how to bead earrings with a basic pattern with bugle beads.
After buying several pairs of earrings in 2016, she thought, ‘I should just make my own.’ She began making her own jewelry and connected with it. Now when she’s not busy with her kids, you can find her at her beading table. She invested in supplies and challenged herself with some ambitions first projects. She has learned a lot and improved since the beginning. I’ve loved watching the progression of her styles and themes as she has shared them on social media.
Blanche stared sharing pictures of her earrings on social media and people were interested and started ordering from her. She found a higher demand once she started an online presence as Brilliant Beads by Blanche. After creating a small business, she started selling more, created a logo, ordered business cards, and learned to take better photos of her work. Although making extra money is nice, she appreciates the therapeutic nature of beading and how it connects her to her culture giving her a sense of purpose. Blanche says, “It allowed me to relax, escape and filled me with purpose.”
Blanche’s Advice for Beaders Who Want to Create a Small Business
Find and perfect a niche.
Having booths at bazaars is a great way to get known and get the word out about your product.
Create an online presence. Her online presence has especially helped increase her sales at bazaars.
Learn to take good photographs of your work in natural light.
Search for ideas on Pinterest for inspiration and help with your creations. It is also a great place to get ideas for creating an eye catching and inviting booth.
Overall, Blanche says, “Do not give up if you make mistakes. I made a lot and learned from each one of them.” She sells about 60-80 pairs for each bazaar she attends. It is impressive to see how she has grown in her beading journey and how she has come close to selling out at her last bazaars. Way to go, Blanche!
It’s no secret I love beading. I love beading slippers/moccasins the most. Since last November, I beaded over 52 pairs on my free time on the evenings and weekends. It’s fun, therapeutic, healing, challenging and relaxing. I asked friends on Facebook recently to share photos in a “photo comment hello”, and some shared their beading and sewing projects and work stations. I love seeing people’s projects and how they set up their work area! I’ll share a few. Enaa baasee’ for friends and relatives for sharing!
Here’s what I’m working on today. I’m beading a pair of slippers for a friend’s daughter who is celebrating her 8th birthday.
This is my cousin, Wanda Moses of Fairbanks & Galena, and she makes summer parkas, aka bets’eh hoolaanee or kuspuks. I love seeing her latest designs. Photo courtesy of Wanda Moses.
My aunt, Gladys Derendoff of Huslia, enjoys beading. I love her creativity and her beadwork reminds me of my late Grandma Lydia Simon’s work. Photo by Gladys Derendoff.
My mother, Eleanor Yatlin of Huslia, is finishing up this beautiful quilt for my daughter. I love seeing her latest blankets. She has an eye for colors and matching fabric. Photo by Eleanor Yatlin.
My aunt, Dorothy Yatlin of Huslia, shared her workspace and her latest beading projects. I love seeing other people’s color choices! Photo by Dorothy Yatlin.
My aunt Dorothy Yatlin also makes fur hats. I love this purple color. They are the perfect hat for cold winters in interior Alaska. Photo by Dorothy Yatlin.
My cousin, Thelma Nicholai of Hughes, shared her beadwork. I love how she’s using white to outline her work. I will have to try white some time. Photo by Thelma Nicholai.
Janet Antone is hosting the @indigenousbeads Twitter account this week. She is Iroquois from Oneida Nation in Canada. She was catching up on American Horror Story and beading. Photo courtesy of Ms. Antone’s Beadwork.
I have been admiring beadwork by Brenda Mahan for the past few years. She is Koyukon Athabascan with roots from Galena, Alaska and now lives in Nevada. Brenda was raised in Cordova, Alaska and is a shareholder of Chugach Alaska Corporation. Although she has a day job as a child support supervisor, she spends her free time beading. I consider her a master artist in beading.
Brenda’s adoptive parents are Pete and Marlene Laplante. Her birth grandparents were Johnson and Lilly Henry from Galena, Alaska. Brenda’s birth mother is Madeline Henry. Madeline is a beader, and collaborated with her late mother, Lilly Henry, to make several large coasters for the Governor’s Awards in Alaska in the 1982. Madeline and late Lilly also have a piece featured in Kate C. Duncan’s book, Some Warmer Tone Alaska Athabascan Bead Embroidery.
Brenda says, “Being adopted, I learned bead embroidery from books.” One such book was, Ann’s Creations: Designs & Instructions for Making Your Own Athabascan Beadwork by Ann Goessel, where she learned some of the basics to beading. In 2001, she ventured to make her first beaded barrette. In 2004, Brenda took a beading class taught by Athabascan bead artist, Delores Sloan, held at the Alaska Native Heritage Center. In 2009, Brenda decided to create floral beadwork with moose hide with a goal to sell it at Alaska Native Medical Center’s Gift Shop in Anchorage, Alaska. The ANMC Gift Shop is known for selling high quality traditional Alaska Native arts and crafts. Brenda said, “This was an honor for me to have my items accepted in this gift shop as it meant that my beadwork had met a high standard.”
Brenda was always drawn to beadwork and sewing and especially loves floral beadwork. She finds inspiration from nature. She grew up enjoying the wonders of Alaska, like beach combing, berry picking, hiking, skiing, snow machining, trapping, hunting and fishing. Brenda’s preferred materials include size 11 Japanese seed beads, nymo thread, porcupine quills, moose hide, dentallium shells and Ultra suede. Brenda uses the two-needle method which she believes makes her lines straighter and more controlled curves. This method came naturally to her, but designing has been more of a challenge.
“I love to work with the soft moose hide and the smell of smoked hide conjures up many feelings of happiness for me. There are not many people who bead on moose hide anymore due to the rising cost.” Brenda Mahan, Koyukon Athabascan
Beadwork brings Brenda closer to her Athabascan and Alaska Native people. She often shares her beadwork on a Facebook group, called Athabascan Showcase. Brenda enjoys connecting with people, and has even discovered some are distant relatives.
Brenda was honored to receive with several pages of floral patterns and a zipper pull mukluk pattern (signature piece) from Madeline. Brenda wishes she lived closer to Madeline so they could bead together. Brenda only met her late grandmother, Lilly Henry, once and treasures looking at pictures of her beadwork. Brenda adds an edge technique to some of her beadwork in honor of Lilly’s style of beadwork.
Although, I am no expert at beading or determining if someone is a master bead artist, I feel Brenda’s artwork is exemplary. Her work reflects her extensive research on the style and technique of Athabascan beadwork. One of Brenda’s latest projects is a moose hide octopus bag. It is approximately 11” x 15” with beadwork on one side. Her center flower is her attempted to re-create using an older book called, Northern Athabascan Art, A Beadwork Tradition by Kate C. Duncan. Brenda says, “Sometimes I feel like I am connecting to that person when I try to re-create their old flower pattern. The patterns are more difficult than ones that I’ve done in the past. I’ve learned about color and contrast working with these more difficult patterns. I feel like the past speaks to me through my beadwork.”
Brenda studied several octopus bags in museums. However, she has never been able to handle one. The bag is going to be lined. The shape of the bag with the tentacles fascinates her, and she has enjoyed making it. Brenda has been careful in planning and creating the bag using old traditional flower patterns and moose hide throughout.
Brenda sells some of her beadwork at the Alaska Native Medical Center gift shop in Anchorage, Alaska and the Fallon Paiute Shoshone Tribe Fox Peak in Fallon, Nevada. You can view some of Brenda’s work on Facebook, Instagram and Pinterest.
Brenda is grateful to friends and mentors, like Emma Forsberg and Glenda McKay, for assistance during the process of learning to bead. Brenda’s dream is to bead an Athabascan baby belt. Although, she knows it will be a large, costly and time-consuming project, she’s looking forward to creating one with full moose hide. One day, Brenda also like to create moccasins, mittens and different types of traditional Athabascan bags. She would love to make these items with moose hide and in the traditional manner as it seems to be becoming a lost tradition (creating them entirely out of moose hide).
I recently met her in Anchorage. Her face lights up when she talks about her work and the process. If I know one thing about artists, it is the fact that they love discussing process. She brought three pieces of artwork with her, and I enjoyed seeing the detail of her work. Brenda’s beadwork almost looks 3D, and I thought some beads were raised. She assured me that it was not raised.
As you can see, Brenda is very talented Athabascan bead working and artist. I admire how much she invests into the planning and creation of each of her pieces. Ana basee’ Brenda for sharing your work and passion!
I’ve been at it again. I have been beading and sewing like a madwoman for the past month! I don’t sell my slippers, but do make them as gifts for family and friends. I have enjoyed designing them, picking out colors.
I buy the slippers and sew the beadwork and fur trim. I went shopping on Black Friday specifically for slippers. It takes me approximately 2-7 days to finish a pair. I work full-time, so I bead and sew in the evenings and weekends.
I donated a pair for an Alaska Native art auction, but have mostly been sewing for my nieces and friends. It is my new hobby and maybe an obsession. 🙂 I will likely slow down and after the holidays. It feels great to be making handmade gifts.
I usually ask what are people’s favorite colors to make it specifically for that person. My niece is a basketball player, so I made a basketball themed pair of slippers. Another person loves picking blueberries, so I made him a pair with that theme. Check out the latest slippers I have been beading in this Facebook album: beaded slippers.
Over the years, my family has gifted me with moose skin hide, beaver fur, beads, thread and wax. I shop at local craft stores in Anchorage to get the supplies I need.
I have learned a lot about beading, sewing and working with hides and furs. I have made mistakes along the way, but learned how to fix them. I have learned fixing your mistakes and problem solving is a part of the process.
I wanted to make some extra special gifts for my daughters for Christmas gifts this year. I ordered slippers from Land’s End and ‘indigenized’ them with beaded moose skin slipper tops.
My mother taught me how to do beadwork on tanned moose skin when I was a child. We also learned from Johnson O’Malley Indian Education sewing nights. I remember beading on felt to practice when I was in kindergarten.
I received beadwork supplies and moose skin from family and a memorial potlatch. My daughters picked out the colors of the slippers and beads. I finished the red slippers for my older daughter. Then, I started on the second pair after Christmas. I decided to make an instructional video and share it. I know if I was learning for the first time, a video like this could be very beneficial.
Here are the supplies you will need to make beaded moose skin slipper tops. Depending on your experience and level of expertise, you can get bigger or smaller beads to start with. You can also use other hides (leather) or felt. Depending on the thickness of the moose hide, you may need a razor to cut it (vs. scissors). It is a particularly thick skin, you might need pliers to pull the needle through it.
Here is a step-by-step video of the process of making beaded moose skin slipper tops. The flower pattern used was from the Athabascan Beadwork Patterns, collected by the late Catherine Attla of Huslia, Alaska. You may also draw your own designs or Google a favorite design.
I hope you enjoyed the video and learned a few new tricks! My daughters love their new slippers.